3/14/85 USDAN student ctr Brandeis U Waltham MA,
WBRS FM 63 min
Ned Rothenberg & Samm Bennett duo - Waltham 14-03-85.rar 300.0 MB
https://mega.nz/#!cpIQgRoD!oCzboJ1IsdkuUtPbD34amXs30wZ7aPRMbklaeQaRogI
Showing posts with label samm b. Show all posts
Showing posts with label samm b. Show all posts
Tuesday, April 24, 2018
Ned Rothenberg & Samm Bennett duo oooooooo3 ooooooi4 ooooooi985
Ned Rothenberg & Samm Bennett duo
3/14/85 USDAN student ctr Brandeis U Waltham MA,
WBRS FM 63 min
Ned Rothenberg & Samm Bennett duo - Waltham 14-03-85.rar 300.0 MB
https://mega.nz/#!cpIQgRoD!oCzboJ1IsdkuUtPbD34amXs30wZ7aPRMbklaeQaRogI
3/14/85 USDAN student ctr Brandeis U Waltham MA,
WBRS FM 63 min
Ned Rothenberg & Samm Bennett duo - Waltham 14-03-85.rar 300.0 MB
https://mega.nz/#!cpIQgRoD!oCzboJ1IsdkuUtPbD34amXs30wZ7aPRMbklaeQaRogI
Wednesday, April 30, 2014
Samm Bennett solo 12- 6- 2oo3
Samm Bennett
12/6/03
Solo
-Shinjuku Pitt Inn, Tokyo
aud csb’s>d100-----62 min
File Name: SAmm B 12 6 o3.zip
File Size: 241.4 MB
Download Link: http://www.sendspace.com/file/de2lng
Thursday, April 17, 2014
Ned Rothenburg Samm Bennett K Uchihashi "RKB" i2/o4/2oo3
12/4/03
“RKB”
Ned Rothenberg (reeds)
Samm Bennett (perc),
Kasuhisa Uchihashi (gtr, dax)
--Tokyo Nishi Azabu “Super Delux
” -2cd--85min
-aud csb>d100-
RothBennUchi 12 4 03.zip 358.2 MB
https://mega.co.nz/#!xphT1IwB!x4X5mfGE0HdfEer5h5k3_ClwH8e4e-kuUddgWt8qmaQ
orrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
http://tinyurl.com/nz3tkdo
orrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
http://tinyurl.com/nz3tkdo
Monday, January 13, 2014
Samm Bennett, Ned Rothenberg, Kazuhisa Uchihashi Nagoya 5-i5-i999
Samm Bennett
Tokuzo
Nagoya, Ja
5/15/99
“Ed
Sullivan”(SB-dr/perc, N Rothenberg-sax, Kazuhisa Uchihashi-gtr/ elex)
96 min-
Sunday, July 03, 2011
Skist 7 21 02
Skist 7/21/02
Haruna Ito: vocal, feedback, field recordings, programming
Samm Bennett: percussion, WaveDrum, Juno-60, programming
7/21/02 -tokyo azabu juban deluxe-
aud- csb's to Sony MD -51 min-
description of live set (from Fat Planet)
"skist – haruna ito and samm bennett – describe themselves as an “experimental song unit”; a description that only begins to penetrate the many layers at play. on their new album, ‘taking something somewhere’, the notion of ‘song’ is very much at the core, albeit in an abstracted form. whilst musically skist stretch purposefully into the future, haruna’s vocals exist as a series of precision-perfect postcards sent from somewhere out of time; it’s impossible to pin down any notion of reference. that said, the use of song as a distinct ‘moment’ certainly flows to eglantine gouzy from last week’s post, and i’m also tempted to cite the vocal constructs of lamb’s lou rhodes as a touch point.
rhythmically, you can lose yourself inside this release. ditching any tried and true method of mapping A to B, samm’s programming and instrumentation takes diversionary and circuitous routes; always side-stepping expectations, yet – unlike his glitch IDM counterparts – never losing the way. this has much to do with the warm marriage of pre-programmed beats, live electronic percussion (such as the wavedrum) and traditional acoustic drums. haruna then additionally offsets both her own poetic vocal performance and samm’s rhythms with waves of subtle electronic feedback"
samm b 7 21 02.zip (237.38 MB)
http://www.megaupload.com/?d=F714SUGM
Haruna Ito: vocal, feedback, field recordings, programming
Samm Bennett: percussion, WaveDrum, Juno-60, programming
7/21/02 -tokyo azabu juban deluxe-
aud- csb's to Sony MD -51 min-
description of live set (from Fat Planet)
"skist – haruna ito and samm bennett – describe themselves as an “experimental song unit”; a description that only begins to penetrate the many layers at play. on their new album, ‘taking something somewhere’, the notion of ‘song’ is very much at the core, albeit in an abstracted form. whilst musically skist stretch purposefully into the future, haruna’s vocals exist as a series of precision-perfect postcards sent from somewhere out of time; it’s impossible to pin down any notion of reference. that said, the use of song as a distinct ‘moment’ certainly flows to eglantine gouzy from last week’s post, and i’m also tempted to cite the vocal constructs of lamb’s lou rhodes as a touch point.
rhythmically, you can lose yourself inside this release. ditching any tried and true method of mapping A to B, samm’s programming and instrumentation takes diversionary and circuitous routes; always side-stepping expectations, yet – unlike his glitch IDM counterparts – never losing the way. this has much to do with the warm marriage of pre-programmed beats, live electronic percussion (such as the wavedrum) and traditional acoustic drums. haruna then additionally offsets both her own poetic vocal performance and samm’s rhythms with waves of subtle electronic feedback"
samm b 7 21 02.zip (237.38 MB)
http://www.megaupload.com/?d=F714SUGM
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